ARGENTINIAN JAZZ IN NEW YORK by Julio Santillán (2006)
with Marta Gómez, Fernando Huergo, Nuno Antunes, Yulia Musayelyan

  • Songs
  • Artists
  • Description
  • Media
  • 01. Mi Casita 05:20
  • Performed by Julio Santillán, Marta Gómez, Fernando Huergo, Franco Pinna
    Music by Julio Santillán
    Published by Julio Santillán
  • 02. Tristeza 06:36
  • Performed by Julio Santillán, Marta Gómez, Fernando Huergo, Franco Pinna
    Music by Julio Santillán
    Published by Julio Santillán
  • 03. El Tata 02:54
  • Performed by Julio Santillán, Marta Gómez, Fernando Huergo, Franco Pinna
    Music by Julio Santillán
    Published by Julio Santillán
  • 04. Nanina 04:08
  • Performed by Julio Santillán, Marta Gómez, Fernando Huergo, Franco Pinna
    Music by Julio Santillán
    Published by Julio Santillán
  • 05. La Luna 03:00
  • Performed by Julio Santillán, Marta Gómez, Fernando Huergo, Franco Pinna
    Music by Julio Santillán, Jorge Luis Borges
    Published by Julio Santillán
  • 06. Everness 04:09
  • Performed by Julio Santillán, Marta Gómez, Fernando Huergo, Franco Pinna
    Music by Julio Santillán
    Published by Julio Santillán
  • 07. Llueve 03:10
  • Performed by Julio Santillán, Marta Gómez, Fernando Huergo, Franco Pinna
    Music by Julio Santillán
    Published by Julio Santillán
  • 08. La Huella 04:28
  • Performed by Julio Santillán, Marta Gómez, Fernando Huergo, Franco Pinna
    Music by Julio Santillán
    Published by Julio Santillán
  • 09. El Bosque 07:09
  • Performed by Julio Santillán, Marta Gómez, Fernando Huergo, Franco Pinna
    Music by Julio Santillán
    Published by Julio Santillán
  • 10. Ludmila 04:19
  • Performed by Julio Santillán, Marta Gómez, Fernando Huergo, Franco Pinna
    Music by Luis Alberto Spinetta
    Published by Luis Alberto Spinetta
  • 11. Gustavo 04:23
  • Performed by Julio Santillán, Marta Gómez, Fernando Huergo, Franco Pinna
    Music by Julio Santillán
    Published by Julio Santillán
  • 12. El Rodeo 01:45
  • Performed by Julio Santillán, Marta Gómez, Fernando Huergo, Franco Pinna
    Music by Julio Santillán
    Published by Julio Santillán
  • 13. Cantor Legüero 05:46
  • Performed by Julio Santillán, Marta Gómez, Fernando Huergo, Franco Pinna
    Music by Julio Santillán
    Published by Julio Santillán
  • 14. El Hidráulico 03:38
  • Performed by Julio Santillán, Marta Gómez, Fernando Huergo, Franco Pinna
    Music by Julio Santillán
    Published by Julio Santillán
  • 15. Hiroshima 03:56
  • Performed by Julio Santillán, Marta Gómez, Fernando Huergo, Franco Pinna
    Music by Julio Santillán
    Published by Julio Santillán
  • 16. Nueve Haiku 04:10
  • Performed by Julio Santillán, Marta Gómez, Fernando Huergo, Franco Pinna
    Music by Julio Santillán, Jorge Luis Borges
    Published by Julio Santillán
  • 17. Preludio Albiceleste 04:12
  • Performed by Julio Santillán, Marta Gómez, Fernando Huergo, Franco Pinna
    Music by Johann Sebastian Bach

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  • Julio Santillán - guitar
  • Nuno Antunes - clarinet
  • Laura Arpiainen - violin
  • Marta Gómez - voice
  • Fernando Huergo - bass
  • Yulia Musayelyan - flute
  • Franco Pinna - Drums

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Argentinian folklore guitarist and composer Julio Santillán has for some time lead a successful septet and trio Los Changos in his adopted home in New York City. Argentinian Jazz in New York is a one-night live recording from the Blue Note jazz club in 2006, featuring the Latin Music Grammy-nominated vocalist Marta Gómez. Argentinian Jazz in New York was recorded live at the Blue Note in New York City, July 16th 2006. Julio Santillán describes the experience: ...After a couple of years living in New York a dream came true: I was offered to play at the Blue Note. They had found out that the Argentinian independence date was July 9th and they wanted to book my septet for that reason. I accepted right away but shortly after, I became aware that the final game for the 2006 soccer world cup was schedule for the same date. Argentina had a great team and I thought we had a good chance to win the cup. I could not see the possibility of missing that game. Even though the championship had not even started, I called the Blue Note and told them I had to cancel. This is totally unacceptable for most people: nobody would ever turn down an opportunity to play at the Blue Note, the most prestigious jazz club in the world. Musicians strive for years and years to get a chance and I was canceling for a stupid soccer game! It got even worse when I try to explain the booking agent why I was canceling. She thought I was mad. Because of some strange pity to my insanity or for a miraculous reason she offered me to play the following week. Argentina did very well. But we lost at the quarter-finals to Germany, the host team. I was so sad I needed to do something. I thought the best to get back was to make some German composer play some Argentinian folk dance. So I took the prelude from Johann Sebastian Bach's cello suite no.1 and made it into a chacarera. On July 9th I watched Italy beating France at the final and the following week we finished the concert at the Blue Note with Preludio Albiceleste.

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